chair STUDIES

Between Body and Object

The studies explore the intersection of furniture, sculpture, and the human body. Drawing upon the anthropomorphic sensibilities of 1930s Surrealism, the designs challenge the conventional relationship between form and function.

The chair is conceived not simply as an object that accommodates the body, but as an extension and abstraction of it. Structural elements suggest limbs, gestures, and anatomical relationships, transforming familiar furniture into an expressive, almost animate presence.

Through the manipulation of proportion, geometry, and balance, each study explores the tension between utility and sculptural autonomy. The resulting objects inhabit an ambiguous territory—simultaneously functional artifacts, architectural constructions, and figurative sculptures.