Uncertain Objects investigates the unstable boundary between sculpture, artifact, ornament, and architecture. The work begins with forms that resist classification—simultaneously biological, archaeological, and fabricated. Their age, origin, and scale remain deliberately ambiguous.

A central question is: What happens when an object changes scale? An aperture becomes a window, a cavity becomes a room, a projection becomes an observation point, and an artifact becomes a pavilion. Through scale, the same formal language moves between sculpture, public space, playground, monument, and architecture. The work oscillates between ancient and futuristic, biological and mechanical, primitive and technologically fabricated, playful and monumental. Rather than resolving these contradictions, it uses them to produce objects that feel familiar yet difficult to identify.

Architecture emerges not as a fixed category, but as a condition created through scale, occupation, and context.